Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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CARPACCIO, Vittore
The Arrival of the Pilgrims in Cologne (detail)

ID: 05863

CARPACCIO, Vittore The Arrival of the Pilgrims in Cologne (detail)
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CARPACCIO, Vittore The Arrival of the Pilgrims in Cologne (detail)


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CARPACCIO, Vittore

Italian High Renaissance Painter, ca.1450-1525  Related Paintings of CARPACCIO, Vittore :. | St Jerome and the Lion dsf | The Pilgrims Meet the Pope (detail) kk | Triumph of St George (detail) dsf | Departure of the Pilgrims (detail) | The Flight into Egypt fg |
Related Artists:
Cornelis van Cleve
painted Portrait of Jan Wyts in 16th century
Isaak Soreau
painted Basket with fruit and plum leaves in c. 1640
Jan provoost
Dutch, born circa 1465-1529,South Netherlandish painter. He probably came into contact with Simon Marmion, the renowned painter and book illuminator from Valenciennes, via Jacquemart Pilavaine, a publisher and illuminator in his native Bergen. Provoost married Marmion's widow, Jeanne de Quaroube, before 1491, and it is thus assumed that Marmion was his teacher. In 1493 Provoost moved to Antwerp, a promising town for artists, where he registered as a master in the Guild of St Luke, but in 1494 he travelled to Bruges. He became a citizen there and soon played an important part in the painters' guild. In 1506 Maximiliaen Frans (1490-1547) was his pupil. Provoost received commissions for decorative work from the town council and church authorities in 1509, 1513 and 1520, the year of the Triumphal Entry of Charles V into Bruges, for which he worked on the decorations. He returned to Antwerp the same year to meet Albrecht Derer, who may have drawn his portrait. Derer visited Bruges in April 1521 and was Provoost's guest. Of Jan Provoost's children, Adriaen Provoost (b 1508) became a painter and Thomas Provoost a glassmaker, both active in Bruges. Jan Provoost's time as a pupil in a northern French miniaturist's workshop was of decisive influence on his later oeuvre. His work radiates assurance, with its precise drawing, restrained expression and airy landscapes, and he was successful in Bruges, where there was little competition after Hans Memling's death in 1494.






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